Letter From the Recording Industry: Please Send Money

by Chris Seibold Sep 22, 2005

Have you ever been startled awake at your desk only to find a puddle of drool and one arm stinging as though it were being assaulted by a swarm of angry ants? Found your head oddly bobbing as your eyes involuntarily squeeze shut during a long distance drive? Watched last weekend’s cliff dweller between Pittsburgh and Nebraska? If you answered any of those questions in the affirmative you have a little insight on what the Apple Expo in Paris was like. Mutters of “L’Ambien” and “Je suis somnolent” were undoubtedly heard throughout the exposition arena. Yet for a show that featured all the excitement of cafeteria prepared vanilla pudding there was a moment of interest when Steve Jobs called the recording industry “greedy.”

Noting that the recording industry is greedy is a bit like calling the sky blue or fire hot, it really isn’t much of a revelation. Still it carries extra weight when Steve Jobs makes the proclamation, after all that guy has some experience making outrageous profits on the backs of others. In any event Steve is miffed, predictably, that the record companies are growing tired of charging a mere $.99 per song at the iTunes store and want to charge a bit more…where “a bit more” is as much as they can get. Steve is certain this will drive up piracy (likely) but of more interest to Steve is that a price increase will negatively impact the iTunes store and future growth of downloaded music. The record companies, of course, just want some extra cash.

The simplest way to look at this impasse is from the perspective of what the record company gains versus the effort they put forth. CD sales have not declined because of the introduction of the iTunes music store (in 2004 they actually increased).  Remembering that Apple covers the costs associated with running the iTunes music store it is an easy, though perhaps erroneous, conclusion to say that all the record companies really need worry about is carpal tunnel syndrome from signing all the checks they weren’t getting before iTunes came along. For the recording industry iTunes is seemingly the equivalent of your boss walking into your cubicle and asking if you’d like to make a ton of extra dough by just doing what you already do.

Taking that perspective the music industry does seem greedy, addle-brained and shortsighted for even considering raising prices. Yet if we view the issue from the perspective of the recording industry denizens the picture changes quite a bit. The recording industry is charged with maximizing investor profits, that is their raison d’être. It may seem like an odd or amoral goal but it carries the force of law. An example is in order. According to Jared Diamond, Henry Ford was once sued (the case made it to the Supreme Court) when he raised wages to five dollars per day. Investors argued that it was not in the best interest of maximizing investment returns and actually won the suit. I suspect the story is a bit more complex than that but the message is clear: if you’re an executive you have to make sure you are doing everything legally within your power to keep the investors rolling in the green stuff.

So the real question is how to keep investment returns high. One way to keep profits high is by selling more music without regard to the medium used to transmit the songs. Unfortunately the recording industry seems to prefer force feeding us talentless, prepackaged hacks rather than offering compelling new artists. So option number one is straight out. The second option is to keep costs low. Not being privy to the exact terms of music contracts it is difficult to say if the music industry is doing all it can do in this regard. It must be noted, however, that the general consensus is that every musician, save for the very very popular, gets a screw job of royal proportions. The third option, and seemingly the darling of the industry, is to simply to raise prices.

Usually one would expect the law of supply and demand to straighten the whole mess out. Unfortunately the law of supply and demand works most efficiently when there is a finite supply, a condition not found in the music industry. What we have instead is virtually unlimited supply and a negligible marginal cost for each new copy of a song produced. That leaves the door open for completely arbitrary pricing and as long as you are basically making prices up the recording executives will desire to price the song as high as possible while still ensuring a reasonable number of sales. Or, put differently, the music biz doesn’t care if a million people buy a song for a buck and no one pirates the thing or one person buys a song for a million dollars and 999,999 people pirate it. What they would like is to find the point on the graph where the maximum amount of money flows into the corporate coffers.

This is where the music magnates and Steve Jobs disagree. Steve feels strongly that an easy to understand pricing scheme will ensure continued growth of the digital model of music distribution. Or maybe he is just on a budget. Either way the music execs don’t care. They are not interested in expanding the digital market, presenting talented new performers or redefining the industry to the benefit of all involved. They are only interested in that point on the graph that puts the maximal amount of dough in their pockets in the immediate future. It is as if the executives in charge were actually three year olds and someone held up a lone candy bar and a bulging bag of sugary snacks an offered a choice: the candy bar now or the entire bag in two weeks.  Anyone with children can tell you the answer the toddlers will give.* In the end Steve Jobs’ role as a Marshall rolling into town to quell the unruly mob is undeserved he is, after all, simply acting in Apple’s best interest. On the other hand Apple’s best interests happen to coincide with the interests of music consumers all over the world (well mostly, sorry Australia) so it should be hoped this would be one battle he wins.

*It should be noted that while the toddlers will choose immediate gratification they also are a whiney lot and will badger you into giving them the entire bag later the same day.

Comments

  • You guys are lucky in english-spoken countries. In France, it is impossible to have the correct translation of what Steve did say about Record Companies. No article, no newspaper in french translates the word “greedy”. They all mention that Steve said that charging more that $1 would encourage piracy. So there is in France a real “langue de bois” (wooden tongue, meaning, everybody thinks it, but please, don’t say it). The Record companies can’t be pointed as greedy as they are. How should we feel about this ?

    PowerMike had this to say on Sep 22, 2005 Posts: 2
  • My, this is a site about APPLE, no win-media links _please_.

    And yes, what MI execs lack, along with a lot of other people, is a working sense of decency. They have none.

    Bad Beaver had this to say on Sep 22, 2005 Posts: 371
  • Bad Beaver I agree, I hate wmp stuff with a passion. But I despie Ashlee Simpson even more and I couldn’t find the clip in .mov. So I am left with a rough choice: include a link to a .wmv file OR forgo a swipe at Ashlee Simpson…. I stand by my decision.

    Chris Seibold had this to say on Sep 22, 2005 Posts: 354
  • what is really infuriating about this is that the record companies have had a virutal monopoly on distribution since the birth of vinyl. despite early assurances that CD prices would fall, the prices today are only slightly lower than they were a decade ago despite the fact that actual production and CD costs have plummeted. 

    record companies complain that piracy is robbing their artists of rightful profits, and i’m sure that’s true….but the labels themselves do a lot of raping too. take the average $14 CD. the actual pressing of the disc plus all packaging and printing costs less than $1 per copy. the artist is luck to see 10-20 cents profit per unit. that leaves more than $12 profit for the label on a $14 cd. exactly who is the pirate here?

    david randall had this to say on Sep 22, 2005 Posts: 10
  • Hey we’re talking execs here. Talentless (in the context of music) suits walking around trying to justify their existence.

    I look forward to the day where the Internet overtakes broadcast radio as the primary means of music playback. Thus the Big 5 distributors will not have as much of a carrot to dangle in the face of artists.

    Look at iTunes international.  I might love that song from another country but the naturally “open” Internet is segregated in the name of control.

    As an Artist I want the fruits of my hard labor and care to be available to anyone with a .99 and a love for my music. 

    I’m thoroughly disgusted with the old world thinking that everything sold must be under tight control. Give the Artist back their freedom.

    hmurchison had this to say on Sep 22, 2005 Posts: 145
  • Chris, I suppose it’s telling in itself that the Ashlee Simpson clip was in WMV. As a multimedia artist I’ve always hated WMV and especially WiMP (Windows Media Player). I thought the lack of “pause” control that would actually stop where I wanted, or the ability to step through frames had something to do with the media stream itself. It turns out that WiMP is the problem.

    For those who prefer QuickTime Player, but inevitably run into WMV and WMA files on the Web, check out WMV Player by Flip4Mac.com. (No, I do not work for them.) The plugin is still going through some growing pains, but I am very happy with it. WMV Player comes in four variations, each offering more features. For playback-only of Windows Media files, the plugin is $9.99.

    Metryq had this to say on Sep 22, 2005 Posts: 7
  • Apple must keep the price of ITMS music low to force the rest of the download industry to keep their download prices low. 

    It’s the linkage of the iPods to the ITMS downloads that generates the revenue/profits for Apple.  I believe only this year did the ITMS actually break even in covering the cost of the ITMS infrastructure.

    By keeping the download prices low, would-be competitors don’t stand a chance.  Once the prices rise, generating revenue above the infrastructure cost threshold, other companies will be able to make money selling downloads, opening the floodgates for serious ITMS and iPod competition.

    Jobs is no dummy.  He may say he’s fighting for the consumer, and indirectly he is, but he’s really protecting Apple’s current stranglehold on music downloads.  The music industry would like to raise prices not just to generate more revenue from the ITMS, but to also start generating revenue from the ITMS alternative download sites.  Until those sites can make money on downloads, without having to sell hardware to subsidize infrastructure costs, that can’t happen.

    Dave Marsh had this to say on Sep 22, 2005 Posts: 44
  • Or, put differently, the music biz doesn’t care if a million people buy a song for a buck and no one pirates the thing or one person buys a song for a million dollars and 999,999 people pirate it.

    Actually to the music biz, there is a huge difference.  Remember, they count every single pirated download as a “lost sale.”  So they would look on that second example as 999,999 million dollars lost to piracy, which gives you some idea of the absurdity of their constant whining about the effect of piracy on their bottom line.

    The sooner the RIAA evaporates into oblivion, the better.

    Beeblebrox had this to say on Sep 22, 2005 Posts: 2220
  • he’s really protecting Apple’s current stranglehold on music downloads.

    Bingo.

    Beeblebrox had this to say on Sep 22, 2005 Posts: 2220
  • Labels and distro absorb most of the potential for any “profit” for the artist. iTMS aside, what about the music subscription services and their pricing structure?

    On another “note”, I hate ringtones. Vibrate or bust.

    Down w/RIAA. Greed will indeed be their downfall. Viva indies.

    MacNuggets had this to say on Sep 22, 2005 Posts: 17
  • I am sick of all the hate directed towards the Record Industry, Record Execs, Artists (including Ashlee Simpson), and the RIAA.

    I am a struggling artist who writes music, produces, and tries to make a living doing the one thing I love. It is the ignorance of listeners and the general public that make this dream so hard on us.

    You say record companies make 12 dollars a CD? YOU ARE CRAZY. There is much more money put into promotions for single song than there is for an entire line of ipods, yet apple making 45 bucks on the nano doesn’t get any complaints. A song can really sell well for about a month tops. That goes for an album too. That’s it. Other products can reap the benefits from marketing for years to come.

    You say record execs are greedy bastards. I ask, what CEO in this day is not a greedy bastard? You think Steve Jobs really cares about YOU? If you do, you have really fallen to all the marketing hype and need to stop watching all those keynotes…. saying that is like saying Bush did the right thing…. brainwash…

    You say, I will pay for the good artists but will download Ashlee, Britney, etc….. Do you know how much it costs to develop an artist? If the process was so simple as writing, recording, and pressing a cd, then i would have to agree with you. However, developing a quality act and developing a pop act costs about the same amount intially. But once a pop act goes big, it brings in cash for companies to go and search for and develop more “real” artists. Therefore, if you take away the pop artist revenues, there goes the R&D for some great new bands and artists.

    If you think i am lying, think about this. Would you even know of good music if it was not introduced to you? How would you find it? Searching old record bins? Downloading illegally? The fact of the matter is, we all rely on marketing and the development of an artists because that is how we get to know them and listen to their music….

    my point is, next time you download or support the download of the Neptunes, remember that you are killing the career of Bilal.

    sky8studios had this to say on Sep 27, 2005 Posts: 1
  • I personally have actually stopped purchasing CDs through retail vendors.  The idea of iTMS and the availabilty to pick and choose music is far better than the overpriced, lack-luster demands of buying a CD with only one good song.

    glyphrunner had this to say on Oct 02, 2005 Posts: 3
  • Itunes songs under 1 dollar (0.99 dollars actually) are really affordable and I have got to ask myself… are there people not willing to spend that kind of money for their own pleasure/benefit ?

    Hillary - futures trading consultant.

    happyface had this to say on Mar 28, 2011 Posts: 3
  • Page 1 of 1 pages
You need log in, or register, in order to comment